Writing dialogue without quotation marks?

QuestionMarkWoman1922

I just finished the novel Benediction by Kent Haruf. This was only the second book that I’ve read from the modern era that did not use quotes to set off dialogue. It wasn’t totally foreign to me but, to be honest, I wasn’t aware that there were a number of authors doing this.

The only other book that I’ve read, written in modern times, that used this quoteless dialogue was Aimee Bender’s The Particular Sadness of Lemon Cake, which I loved. It was a work of speculative fiction so I assumed that her lack of quotes to delineate dialogue was part of her intention to create a certain atmosphere. I accepted it and really enjoyed the story. I thought the lack of quotes gave it a very internal feeling.

I thought the lack of quotation marks in Benediction was difficult to follow at first but I was soon okay with it.  Again, I thought it gave the novel an internal feeling or perhaps even a timeless feel.  It was as if I were looking at events that happened through frosted glass.

I wondered why someone would choose not to use quote marks to delineate dialogue. I did a quick search online that led me to an article from Lionel Shriver on the Wall Street Journal site where I learned that a number of modern authors, including James Frey, Kent Heruf and Cormac McCarthy, are popularizing the trend.

Shriver contends that “By putting the onus on the reader to determine which lines are spoken and which not, the quoteless fad feeds the widespread conviction that popular fiction is fun while literature is arduous.”

Here’s one of my prime problems with it. I have no problem reading dialect and dialogue without quotation marks. I’m a very fast reader and can adapt. However, I know people who simply cannot read dialect, such as Mark Twain. Their brains simply don’t translate the written word into sound in their head. I believe that writing is about communicating. Anything that gets between the reader and the story inhibits that communication. Now, I know that not every book is for every reader but, as writers, shouldn’t we be trying to communicate in the most clear manner possible?

I also came upon a an interview Cormac McCarthy had done with Oprah some years ago in which he says that the intent is to make the reading easier, not harder. “If you write properly you shouldn’t have to punctuate.”

He does concede that “You really have to be aware that there are no quotation marks to guide people and write in such a way that it is not confusing who is speaking.”

I think that is a rather large challenge and whether writers who write without quotation marks live up to it is another matter altogether.

I took this issue to my writer’s group last night. One of my group contended that a good story will not be brought down by poor grammar or punctuation. Another member said she wouldn’t be able to get past the first few pages. Yet another threw something on the floor in disgust and said that it was sheer laziness on the author’s part.

I think I will personally continue to use quotation marks in my writing, but I won’t reject a book just because the author does not use them.

What do you think? Were you aware of modern authors writing books without quotation marks to set the dialogue apart? Do you enjoy it? Do you do it yourself? I’d love to hear some more perspectives.

Elmore Leonard and a writer’s leap of faith

Our writer’s group met last night, only five of us but we had a really good session.  It’s always fascinating to see what twists and turns everyone’s mind takes with a prompt.  I shared a poem that I needed help with editing and another member shared the first two chapters of a novel for feedback.

I also brought an interview that I had read recently on CNN, Grit on Wry: A Dinner with Elmore and Peter Leonard.  I used to be a huge fan of Elmore Leonard, partly because I love a good mystery but mostly because of the humor, I suspect.  My favorite books and movies tend to have a strong element of humor, whatever source it comes from.  It could be jokes with punchlines or simply the gentle humor that comes out of everyday life.  In the article, the author says of Elmore, “He thinks that crooks are dumb, and that dumb is funny.”  I also love the “snappy dialogue,”  what you might call snarky.

A couple other thoughts really stood out in the article for me.  The first was the idea that there are great ideas, strange things, happening every day in real life, just waiting to be worked into a story.  I’ve definitely found that to be true but my strange things don’t tend to run toward the criminal, the way they do for Elmore Leonard. 

The other interesting thought was that at some point, you’ve got to take a chance and make a leap of faith if you’re going to write for a living.  The problem, the way I see it, is that it’s a long leap.  It takes time to write that great American novel.  Then you’ve got to edit it and keep submitting it until someone agrees.  You’ve also got to keep writing in the meantime.  It take a focus and a singularity of purpose that is hard to pull off when you’ve got a family and work demanding your attention, plus needing to build your name for marketing online.  I feel like I need to carve a tiny bit of time out every day just for a novel.  We’ll see if I can do that this week.

In the meantime, I’m still writing for Yahoo! Voices.  Here’s a humorous poem I wrote for Easter based on an incident I’ve heard about many times over the years in our family, The Day the Chocolate Bunnies Died.